Give Me a Microphone and Some Warm Bodies is a reimagined program designed to nurture and support recently graduated artists. This initiative provides a structured mentorship within the CoExist community, guiding participants through the full process of creating a choreographic work - from initial concept to final performance.

Over 25 weeks, three choreographers worked closely with the CoExist team in a supported, hands-on program focused on developing choreographic practice and self-producing skills.

We are so grateful for the support of all the incredible mentors & facilitators who have contributed to Give Me A Mic this year. A massive, huge thank you to Aimee Raitman, Byron Lewis, Damian Meredith, Alec Katsourakis & Lana Rosalea.

Give Me a Mic has been generously supported by Transit Dance.

By Tessa Moffat

Lotus flowers cannot emerge above the surface without being rooted in muddy water first.

The path is dynamic, not flawless, a move from red to green.

I think if they could grow here, they would.

Made in collaboration with the dancers, Ayva Duddington, Brianna Lyddieth, Chloe Disauro, Eilish Fry, Hannah Vella and Riley Okley.

Sound Design by Tessa Moffat

By Opal Russell

A language of rage and precision, of release and refusal. It moves through the body like pressure finding form, emotion refusing containment. Power Lines brings Krump and Contemporary dance into a shared performance space, where taking up space becomes an act of refusal, resilience, and power.

Performed by Cassie Reyes Seagrim, Carla Fares, Amelie Logan, Lily Turner, Tyra Garcia, Hannah Kirkby, Minami Kurota, Shanice Nagy

Sound Design by Opal Russell

By Liana Samson Piniata

My body falls into a rhythmic cycle between work and rest. When work asks for efficiency and production, rest responds with breath and warmth. Unfolding- a quiet but continuous conversation about my body, rigor and care. A constant act of learning and unlearning.

Performed by Liana Samson Piniata & Madeleine Pryor